London: Gallery Number Ten, n.d. No binding. First edition. Two-panel cream-colored card stock folder measuring 20.5 × 13 cm (8.1 × 5.1 in.), printed in neon orange and black, housing 32 unbound leaves printed in black at rectos on cream-colored uncoated stock. Text in French and English. Early unbound artists’.....
Paris: Éric Losfeld Editeur, 1970. Large softcover 8vo in printed wraps offset printed in black and white. Unpaginated. Text in French, with an English translation of the Post Script essay. Inscribed in French by the artist in green ink on title page. Much like Bory’s other work, this suite of.....
Paris: Editions Agentzia, Nd. First edition. Saddle stapled narrow 4to bound dos-à-dos in wrappers printed in black and orange on glossy stock. Pages printed in black, one page in black and blue. Unpaginated [32 pp.] Text in French, German, and English. Inaugural issue in the Editions Agentzia series inventively bound.....
Paris: Approches, 1968. First edition. Softcover 8vo in wrappers printed in black and red with pages printed in black. Contains a small loose card laid in and circular die cuts to three pages. 206 pp. Text in French, German, and English. Issue no. 3 of this French experimental, sound, and.....
Firenze: Studio Inquadrature 33, 1973. Saddle-stapled 16mo in publisher’s wrappers, with pages printed in black and white. Unpaginated (12 pp.) Text in Italian. An exhibition catalog featuring six works of concrete poetry by Bory, De Vree, and Ori. Complete with an introductory essay by Rossana Apicella dissecting the trajectory of.....
Firenze: Studio Inquadrature 33, 1973/4. Six saddle-stapled 16mos of the same size in publisher’s wrappers, with pages printed in black and white. Unpaginated (12 pp., 12 pp., 12 pp., 8 pp., 12 pp., and 8 pp. respectively.) Text in Italian. A series of exhibition catalogs from this Italian gallery featuring.....
Paris: Editions Agentzia, Nd. First edition. 30 x 30 cm (11.8 x 11.8 in) sleeve with an opening along right edge printed in black on recto and verso. Housing a two-sided cardboard plate with an orange and yellow round die cut rotatable disc also printed in black and bound at.....
Zürich / Paris: Galerie Stummer & Hubschmid / Editions Agentzia, 1968. First edition. Twelve 10 x 14 cm (3.9 x 5.5") postcards printed in black on rectos on white card stock. Housed in a three-panel folded slipcase printed in black. Text in German. Exhibition catalogue in the form of twelve.....
Firenze: Studio Firenze Arte Contemporanea, 1974. Saddle-stapled 8vo in pictorial green wrappers with pages printed in black and white. Unpaginated (32 pp.) To which is added four loose sheets printed in black on recto and verso on green paper. Text in Italian, with English translation on the added sheets. Exhibition.....
Bruxelles: Aménophis, 1970. First edition. Large softcover square 8vo in blue wrappers with pages mostly printed in black, some in color, and with two foldouts. Unpaginated [52 pp.] Text in French. Issue no. 9 of this quarterly Belgian artists’ periodical with a focus on art and visual and concrete.....
Np: Contexte and Editions Gallery Number 10, 1967. Square 8vo in stiff wrappers. Unpaginated. Text in French. An elegant and striking work of concrete poetry exploring the graphic nature of language and its subsequent breakdown. Through visually dynamic layouts that take advantage of scale, repetition, typography, and fragments of images.....
Brescia: studio brescia, 1972. Small saddle-stapled 8vo in printer wrappers with pages printed in black and white. Unpaginated (16 pp.) Text in Italian. Catalog issued on the occasion of the third visual poetry exhibition held at Studio Brescia in northern Italy in 1972, featuring several of Bory’s works of concrete.....
Brescia: Archivio Denza, 1972. Large postcard rubber stamped in blue on recto and offset printed in black on verso. Text in Italian. Exhibition postcard featuring a rubber stamped concrete poem promoting Jean-François Bory’s 1972 concrete poetry exhibition at Archivio Denza. Date on verso has been hand corrected in blue ink.....
Switzerland: Approches, 1968. Large softcover 8vo in white wrappers printed in black and white throughout. Unpaginated (32 pp.) Text in French. An illustrated artists’ book of concrete poetry featuring large letterform fragments varying in size paired with collaged images of ancient sculptures, nudes, and maps. Very good with darkening along.....
Paris: Editions Agentzia, Nd. First edition. 19 x 26 cm (7.5 x 10.25") sleeve with an opening along right margin printed in blue and black. Housing four 46 x 64 cm (18 x 25.2") posters printed in black on rectos, with three on uncoated white stock and one on glossy.....
Paris: Approches, 1968. First edition. Softcover 8vo in wrappers printed in black and red with pages printed in black. Contains a tipped in leporello publication, a small loose card and a white 33 RPM flexi disc housed in white paper sleeve laid in, and letterform die cuts to fifteen pages.....
Paris: Approches, 1965. First edition. Softcover 12mo in printed wrappers. 120 pp. Text in French, some English. Issue Nº. 1 of the French concrete and visual poetry journal edited by Jean-François Bory and Julien Blaine, of which there were only four published between 1965 – 1969. With contributions by Pierre.....
![SUBVERS No. 1: tijdschrift voor [onder meer] konkrete pöezie](https://theideaofthebook.cdn.bibliopolis.com/pictures/801_01.jpg?width=320&height=427&fit=bounds&auto=webp&v=1620330144)
ijmuiden: the subvers press, 1970. First edition of 500 of which this is no. 403 hand-numbered in blue ink at rear cover. Softcover 8vo in illustrated wrappers, with pages printed in black and white. Unpaginated (56 pp.) Text in Dutch, Portuguese, English, Italian, French, and Serbian. The first issue of.....
[Venezia]: Stamperia di Venezia, 1969. Softcover 8vo in letter press printed black and white wrappers, with pages printed in black and white. 156 pp. Text in Italian. Very good with partial sunning to covers, including a faint spot at front, bumps to corners, and trace amounts of age toning throughout.....
Brescia: Studio Brescia, 1972/3. Thirteen saddle-stapled 16mos approximately the same size, in publisher’s wrappers of varying colors, with pages printed in black and white, one of which has publisher’s original bellyband, and eight of which are laid inside publisher’s original stamped and addressed envelopes. Unpaginated with varying page counts (approximately.....