poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry
poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry
poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry
poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry
poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry
poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry
poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry
poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry
poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry
poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry

poesia visuale = poésie visuelle = poesia visuale = visuelle poesie = visual poetry

Innsbruck: Allerheiligenpresse, 1968. First edition of 300, of which this is no. 137. 22.5 x 22.5 cm. One folded and one single offset printed sheet, alongside 17 loose plates silk screened in black on verso laid into a black three-panel folder silk screen in black. Text in German.

Exhibition catalogue issued on the occasion of this 1968 traveling concrete poetry exhibition held in Karlsruhe, Alpbach, Innsbruck, and Vienna. With contributions by Friedrich Achleitner, Carlo Belloli, Claus Bremer, Haroldo de Campos, Heinz Gappmayr, Eugen Gomringer, Josef Hiršal, Décio Pignatari, Gerhard Rühm, Pedro Xisto. Includes a foreword by Dr. Siegfried J. Schmidt, and a short biography of each contributing artist by art historian Peter Weiermair.

Plates very good with trace amounts of rubbing, age toning, and bumps to corners. Three-panel folder good only with surface rubbing and wear along folded margins, including closed tears along top and bottom left and right margins. Item #679

Out of stock