Berlin: Hermann Luchterhand Verlag, 1970. Perfect bound large 4to in pictorial wrappers printed in black and white throughout. 344 pp. Text mostly in German, some English. A generous anthology documenting ten years of Vostell’s Fluxus happenings dating back to the early 1960s. Featuring reproductions of performances, notes, drawings, and artwork.....
Friedberg: Edition Hoffman, 1986. Perfect bound 4to in plain cardboard wrappers printed in black and white throughout, with lower left corner of book cut at a 45º angle. With a single sheet printed in black and white the same size as the book laid in. 415 pp. Text in German.....
Cullompton – Devon: Beau Geste Press, 1974. Softcover 4to perfect bound in wraps with label affixed to front cover and pages printed in red and black ink. Unpaginated (ca. 60 pp.) Issue no. four of the influential publication founded by Felipe Ehrenberg, David Mayor, and Martha Hellionof, of which there.....
Mexico D. F. / Cullompton – Devon: Beau Geste Press, 1975. Edition of 550. Softcover 4to perfect bound in printed cream wraps, with pages printed in gradations of color, and several items tipped in. Unpaginated (ca. 98 pp.) Issue no. five of the influential publication founded by Felipe Ehrenberg, David.....
Brooklyn: Assembling Press, 1974. Edition of 1,000. Softcover 4to in stiff pictorial wrappers printed on various paper types. Unpaginated (ca. 250 pp.) Concrete and visual poetry, poetry, artwork, collages, and photography by various contributors assembled into this fifth issue of Kostelanetz’ long-running thick publication. Very good with trace amounts of.....
Brooklyn: Assembling Press, 1979. Edition of 1,000. Softcover 4to in stiff pictorial wrappers printed on various paper types. Unpaginated (ca. 250 pp.) Concrete and visual poetry, poetry, artwork, collages, and photography by various contributors assembled into this ninth issue of Kostelanetz’ long-running thick publication. Very good with trace amounts of.....
Brooklyn: Assembling Press, 1980. Edition of 1,000. Softcover 4to in stiff pictorial wrappers printed on various paper types. Unpaginated (ca. 250 pp.) Signed by one of the editors on title page. Concrete and visual poetry, poetry, artwork, collages, and photography by various contributors assembled into this tenth issue of Kostelanetz’.....
Ingatestone Essex: OU Revue, Nd. 25.4 x 35.5 cm (10 x 14") sheet printed in black ink on one side only. Text in French and English. Subscription flyer for an issue of Chopin’s ‘OU Revue’ promoting works by Burroughs, Cahn, Chopin himself, de Charmoy, Degottex, Gisiger, Golyscheff, Hausmann, Janco, Mariën.....
Ingatestone Essex: Collection OUt, Nd. 21.5 x 33 cm (8.5 x 13") sheet printed in green ink on thin translucent paper on one side only. Parallel text in English and French. Promotional flyer for Chopin’s third ‘OU’ publishing venture following ‘record-review OU’ and ‘collection OU’ titled ‘collection OUt’, which featured.....
Konstanz: edition art in progress, 1972. Three saddle-stapled A4 brochures and two A4 folded four-panel brochures printed in color and black and white. Unpaginated. Text in German. A comprehensive and well-designed prospectus from ‘art in progress’ consisting of five brochures housed in publisher’s original envelope. Featuring contemporary artwork from the.....
London: The Institute of Contemporary Arts Ltd., 1973. Unbound 4to printed in blue ink, with centerfold printed in a blue, yellow, and red gradient on thin stock. 14 pp. An issue of ICA’s recurring program featuring news, upcoming shows, lectures, articles, movies, promotions, and performances including ‘Body as a Medium.....
Cambridge: Philip Steadman, 1967. Saddle-stapled square 4to in printed wrappers. 32 pp. Issue no. 4 of this literary design journal, of which there were 10 published, featuring in-depth articles on Black Mountain College and Josef Albers, a map of the Brighton Festival Exhibition of Concrete Poetry, an essay on concrete.....
Köln: Jablonka Galerie, 1994. 11 11/16 x 16.5" poster offset printed in black ink on red paper. Small poster issued on the occasion of Weiner’s 1994 exhibition ‘BAUEN TO BUILD A SQUARE IN THE RHINELAND’ held at Jablonka Galerie in Köln. Machine-folded twice with trace amounts of age toning to.....
Np: Np, ca. 1967. 14.6 x 10.4 cm card printed in black ink on recto and verso housed inside a printed envelope. A multiple by Ulrichs featuring the phrase ‘bitte wenden!’ on both sides which translates to ‘please turn!’. A conceptual performance piece handsomely typeset like most of Ulrichs’ work.....
New York: New Ground Presentations, Inc., 1977. 10.5 x 17.125" sheet machine-folded in half printed in blue and yellow ink on a pink sheet. Poster promoting the performance ‘Charlotte Moorman & Nam June Paik From Jail (1967) To Jungle (1977)’ at Carnegie Hall on February 10, 1977. Handsomely designed by.....
Düsseldorf: Art-Press Verlag, 1971. Softcover 8vo in die cut black gloss wrappers. Unpaginated. Text in German. An exhibition catalog featuring black and white contributions by over seventy artists including Vito Acconci, Bas Jan Ader, John Baldessari, Robert Barry. Joseph Beuys, Marcel Broodthaers, Gilbert & George, Ferdinand Kriwet, Bruce Nauman, Brigid.....
Vancouver, BC: The Fine Arts Gallery, University of British Columbia, 1969. First edition. Large three-panel 4to-sized folder printed in black and white containing a green, blue, and orange folder with a trifold printed in black and white on recto and verso, a folded poster printed in black and white on.....
New York: Grove Press, 1970. First edition. Softcover 8vo in pictorial wrappers. 128 pp. Dialogue and stills from Warhol’s 1969 movie ‘Blue Movie’ featuring intimate moments and social and political conversations between Viva and Louis Waldron. Very good with two faint reading creases along spine, trace amounts of rubbing to.....
Québec: Np, ca. 1971. 24 x 19.75" (61 x 50 cm) poster printed on verso side only, and rubber stamped six times. Signed by the artist. An early work of computer art featuring overlaid numbers, letter, and punctuation arranged in a way that questions the structure of language in a......
![BEING WITHIN THE CONTEXT OF [A] PLACE / BINNEN DE CONTEXT VAN [EEN] PLAATS](https://theideaofthebook.cdn.bibliopolis.com/pictures/271a.jpg?width=320&height=427&fit=bounds&auto=webp&v=1513351053)
Eindhoven: Van Abbemuseum, 1983. 29.5 x 33 cm (11 9/16 x 13") poster offset printed on glossy stock in yellow, gray, and black ink on recto only. Text in English and Dutch. A poster designed by Weiner on the occasion of his 1983 exhibition at the Van Abbemuseum in Eindhoven.....
Wuppertal: Kalender Verlag, 1961. Black card stock folder 10,7 x 29,9 cm (4.2 x 11.77") in size silk screened in white ink, with a white strip of paper pasted down on front cover, and a 10,4 x 35 cm (4.1 x 13.77") folded poem pasted inside. A promotional folder from.....
Eindhoven: Stedelijk van Abbemuseum, 1967. Square 4to in softcover wrappers, with text printed in black and white. Unpaginated. Parallel text in Dutch, English, French, and German. A catalog for an exhibition organized to commemorate the opening of The Eindhoven Graphic School in 1967. The artwork was shown at the Stedelijk.....
Hamburg: Rowohlt, 1970. Softcover 8vo in pictorial wrappers. Unpaginated. Text in German. Vostell’s comprehensive and densely illustrated survey documenting happenings, performances, and art as they relate to anti-establishment ideas between 1965 – 1970. With contributions including texts, collages, photographs, artwork, essays, and articles by Jean-François Bory and Jochen Gerz of.....
Berlin: Edition René Block, 1971. Horizontal 4to in black linen boards with a white foil stamped spine inside dust jacket printed in black and white, housed in publisher’s original cardboard box. 194 pp. Text in German. A profusely illustrated catalog in the form of a book which explores art and.....
Malmö: Malmö Konsthall, 1981. Softcover 4to in pictorial wrappers. 103 pp. Text in Swedish and English. An illustrated catalog published on the occasion of an exhibition held March 5 – 20, 1981 at Malmö Konsthall featuring sculptures, collages, writings, concrete poetry, photographs, and bios of eighteen artists as influenced by.....