Stuttgart: Edition Rot, 1968. First edition. Softcover square 8vo in wrappers printed in red and black bound in a strip cloth spine. With French fold signatures printed in black and white. Unpaginated (32 pp.) Text in German. Issue no. 36 in the Rot series edited by Max Bense and Elisabeth.....
Stuttgart: Edition Rot, 1968. First edition. Square 8vo in wrappers printed in red and black bound in a strip cloth spine. With French fold signatures printed in black and white. Unpaginated. Text in German. Issue no. 33 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted.....
Stuttgart: Edition Rot, 1966. First edition. Saddle-stapled square 8vo in wrappers printed in red and black. With pages printed in black and white. Unpaginated (32 pp.) Text in German. Issue no. 27 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted to concrete poetry and the.....
Stuttgart: Edition Rot, 1965. First edition. Softcover square 8vo in wrappers printed in red and black. With pages printed in black and white. Unpaginated (12 pp.) Text in German. Issue no. 20 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted to concrete poetry and the.....
![SUBVERS No. 1: tijdschrift voor [onder meer] konkrete pöezie](https://theideaofthebook.cdn.bibliopolis.com/pictures/801_01.jpg?width=320&height=427&fit=bounds&auto=webp&v=1620330326)
ijmuiden: the subvers press, 1970. First edition of 500 of which this is no. 403 hand-numbered in blue ink at rear cover. Softcover 8vo in illustrated wrappers, with pages printed in black and white. Unpaginated (56 pp.) Text in Dutch, Portuguese, English, Italian, French, and Serbian. The first issue of.....
Hilversum: De Vaart, 1973. Saddle-stapled softcover 8vo printed in black and white, with one page printed in black and red. Unpaginated (24 pp.) Text mostly in Dutch, some in English. A catalog issued on the occasion of this Dutch concrete poetry exhibition held March 17–April 15, 1973 in Hilversum. With.....
Amsterdam: Kontexts, 1977. First edition of 1,000. Tall saddle-stapled softcover 4to printed in black and white throughout. 28 pp. Published on the occasion of the ‘text in geluid’ (‘text in sound’) festival at the Stedelijk Museum April–May, 1977. Edited by Michael Gibbs, a compilation of sound-poetry, scores, operas, auditive texts.....
New York: Something Else Press, 1967. First edition. Softcover 8vo in illustrated wrappers with pages printed in black on verso sides only. Unpaginated. One of Williams’ more iconic and intimate artists’ books exploring the possibilities and limitations of the word ‘sweethearts’ using an eleven-by-eleven grid (the number of letters in.....
Münster: Westfälischen Kunstverein, [1968]. First edition. Square softcover 8vo in printed black paper wrappers and French-fold signatures printed in black and white. Unpaginated. Text in German. A handsome survey of concrete and visual poetry issued on the occasion of this 1968 exhibition in Münster, Germany. With contributions by Augusto and.....
Bloomington: Indiana University Press, 1971. Third printing. Softcover 4to in illustrated wrappers with pages printed in black and white, several plates in color, and one tipped in foldout. 312 pp. A comprehensive and globally focused survey of concrete poetry, edited by Mary Ellen Solt, with contributions by Augusto and Haroldo.....
Buenos Aires: Centro de Arte y Comunicación (CAyC), 1971. First edition. 21 x 29.7 cm (8.3 x 11.7") single sheet printed in black and white on recto and verso on thin paper. Text in Spanish. Printed letter by Mirtha Dermisache featuring her asemic writing consisting of illegible words which allow.....
Buenos Aires: Centro de Arte y Comunicación (CAyC), 1975. First edition. 21.7 x 27 cm (8.5 x 10.6") sheet die cut at opposing corners printed in black on recto side only on yellow paper. Text in Spanish. Flyer for Mirtha Dermisache’s 1975 exhibition at CAyC, organized by Jorge Glusberg, featuring.....
La Plata: Np, 1958. 40 x 29.9 cm (15.7 x 11.8") sheet letter pressed in black and red on cream colored paper. Text in Spanish. Broadside by Edgardo Antonio Vigo featuring a mechanical illustration, various sized circles, letterforms, and a red and black motif titled ‘Relativuzgir’s,’ which has appeared in.....
Prague: Ceskoslovensky Spisovatel, 1968. First edition. Square softcover 8vo in plain black wrappers laid inside a slightly oversized dust jacket printed in gray, black, and green. 135 pp. Text mostly in Czech, some German and English. Artists’ book by the Czech couple Josef Hirsal and Bohumila Grögerová featuring a collection.....
Prague: Odeon, 1967. Square hardcover 8vo in white cloth foil stamped in black and green at front cover and spine. With pages printed in black and green, including a foldout panel affixed to rear endpaper. Housed in dust jacket printed in black and green. 265 pp. Text mostly in Czech.....
Brno: Np, 1969. Three twice-folded A4 sheets typewritten on recto sides only on cream paper with additional handwriting in orange marker. A fourth twice-folded A4 sheet with handwriting in gray marker on both recto and verso on white thin card stock. To which is added two 19.8 x 8.5 cm.....
Kassel: Edition & Verlag Boczkowski, 1969–1971. First edition. Eight saddle-stapled 8vos of the same size in various colored covers. Five of which are printed in black and white, and three in color. Varying page counts. Text mostly in German, some English. A complete set of eight artists’ books published by.....
London: Institute of Contemporary Arts (ICA), 1965. First edition. 41.8 x 59.4 cm (16.5 x 23.4") poster silk screened in black and red on white paper. Poster designed by James Meller issued on the occasion of this 1965 exhibition curated by Jasia Reichardt examining the impact of poetry as it.....
London: Institute of Contemporary Arts (ICA), 1965. First edition. Plastic spiral bound square 8vo in wrappers printed in red and black. With pages printed in black and white. 84 pp. Catalogue issued on the occasion of this 1965 exhibition examining the impact of poetry as it relates to art held.....
(Kendal, Cumbria): The Finial Press in Great Britain, 1974. First edition of 50, of which this is. no. 38. 15.25 x 15.25” brown portfolio folder printed in black and red containing one folded sheet of text and five broadsides printed on various paper types on recto sides only. Signed by.....
Stuttgart: Edition Hansjörg Mayer, 1967. First edition of 200, of which this is no. 143. Large square spiral bound 4to in orange Day-Glo wrapped boards printed in black. With French-fold signatures letter pressed in black. Unpaginated (40 pp.) Text in German. Signed by the artist. Artists’ book by Franz Mon.....
Stuttgart: Edition Hansjörg Mayer, 1967. First edition of 200, of which this is no. 160. Large square spiral bound 4to in pink Day-Glo wrapped boards printed in black. With French-fold signatures letter pressed in pink and blue. Unpaginated (38 pp.) Text in German. Artists’ book by Reinhard Döhl featuring a......
Stuttgart, London, Reykjavik: Edition Hansjörg Mayer, 1971. First edition of 1,000. Softcover 8vo in printed wrappers with French-fold pages printed in black and white. Unpaginated. Text in German. The fourth volume of Dieter Rot’s collected works published by Hansjörg Mayer. This one reproducing the artists’ book ‘bok 4a und 5’.....
Hellnar, Köln, London: Edition Hansjörg Mayer, 1971. First edition of 1,000. Softcover 8vo in printed wrappers with pages printed in black and white. Unpaginated. Text in German. The second volume of Dieter Rot’s collected works published by Hansjörg Mayer. This one reproducing the artists’ book ‘bok 1956–59,’ featuring abstract typographic.....
Firenze: Edizioni Tèchne, 1970. First edition. Tall stab-stapled softcover 4to in gray wrappers. With varying page sizes, some of which are mimeographed, and a few offset printed. Featuring several tipped in items, including two silk screened posters, and an inserted exhibition announcement card, paper sticker, a small plastic bag filled.....