Rio de Janeiro: Edições Totem, 1984. First edition. Softcover 8vo in glossy wrappers printed in burgundy and gray. Pages printed in black. Unpaginated [ca. 80 pp.] Text in Portuguese. Inscribed and signed by the artist on title page. Artists’ book by Joaquim Branco featuring a series of political concrete poems.....
![ABC + ABCD [two mostly complete issues in one envelope]](/pictures/thumb/901_a.jpg?v=1623075242)
London: The National Poetry Centre, 1975. First editions of 200. Eighty-one sheets in total between two issues, most of which are A4 in size printed in black on recto sides, some on recto and verso on white paper stock, a few on color paper stock. Housed in publisher’s original brown.....
![Ab [complete]](/pictures/thumb/900_a.jpg?v=1623075237)
London: The Poetry Society, 1973. First edition of 200. Forty-one sheets, most of which are A4 in size printed in black on recto sides, some on recto and verso on white paper stock. Includes a small square postcard, a printed film strip, and two silk screens. Housed in publisher’s original.....
Np: Np, Nd. 24.1 x 17.6 cm (9.5 x 6.9") sheet typescript in black on recto side. Text in Italian and English. Original typescript concrete poem by Arrigo Lora-Totino on the topic of gossip. Sheet folded twice with age toning, handling creases, and faint staining along upper right margin. Else.....
Paris: Np, [1978]. First edition. Saddle-stapled softcover 4to in stiff glossy wrappers printed in black. With pages printed in black on recto sides only, and two postcards printed in black affixed to one page. Unpaginated [12 pp.]. To which is added two mailed envelopes, one with two A4 sheets folded.....
Np: Np, 1975. First edition. Large softcover 8vo in white wrappers printed in red with pages also printed in red. Unpaginated. Artists’ book by Guy de Cointet featuring a collection if enigmatic visual and concrete poems typeset in a self-devised language. de Cointet’s fourth artists’ book of which there were.....
Np: Pubished by the artist, Nd. White A3 leaf Xeroxed on recto side. Signed in pencil by the artist. Concrete poetry broadside by Clemente Padín featuring one word inside of another. By the Uruguayan artist, mail artist, designer, poet, and editor and publisher of the influential magazine Ovum, which featured.....
Np: Pubished by the artist, Nd. White A3 leaf Xeroxed on recto side. Signed in pencil by the artist. Concrete poetry broadside by Clemente Padín featuring a sideways pictogram placed next to an uppercase letter with a smaller word inside it. By the Uruguayan artist, mail artist, designer, poet, and.....
![CONT[R]ACT](/pictures/thumb/866_a.jpg?v=1621707373)
Np: Pubished by the artist, Nd. White A3 leaf Xeroxed on recto side. Signed in pencil by the artist. Concrete poetry broadside by Clemente Padín featuring two pictograms placed on top and below a word. By the Uruguayan artist, mail artist, designer, poet, and editor and publisher of the influential.....
Np: Pubished by the artist, Nd. White A3 leaf Xeroxed on recto side. Signed in pencil by the artist. Concrete poetry broadside by Clemente Padín featuring an outline of a solider placed on top of a word. By the Uruguayan artist, mail artist, designer, poet, and editor and publisher of.....
Bochum: Galerie m, 1970. Horizontal 19 x 10 cm (7.5 x 3.9”) card printed in black on both sides on card stock. With postage stamps and handwritten address on mailing side. Text in Dutch. Invitation issued on the occasion of Herman de Vries’ ‘random objectivations’ exhibition held March 24–May 23.....
rotterdam: galerie ’t venster, 1967. Folded 14.8 x 12 cm (5.8 x 4.7") card which unfolds to 29.6 x 12 cm (11.7 x 4.7") printed in black on the inside. With postage stamps and handwritten address on the outside, including a small rubber stamp. Text in Dutch. Invitation issued on.....
Np: subvers-press, 1970. First edition. Saddle-stapled 16mo in blank pink wrappers with pages printed in black. Unpaginated [24 pp.] Text in French. Signed by the artist. Small artists’ book by the Dutch visual and concrete poet Hans Clavin on the repeating nature of history featuring the same typescript concrete poem.....
Firenze: Zona, 1979. Single sheet 32 x 21.8 cm (12.6 x 8.6") in size, printed in black on recto side only. Text in Italian. Small poster issued on the occasion of Sten Hanson’s 1979 performance at Zona in Florence titled ‘Installazione Sonora / Poesia Azione / Poesia Sonora / Proiezioni.....
Utrecht: AH, 1968. Two sets of 21 x 15 cm (8.27 x 5.9") sheets printed in black on rectos, each set paperclipped at top-left corner. 21 pp. respectively. To which is added two folded 21.5 x 34 cm (8.46 x 13.4") sheets and one 21.5 x 27.5 cm (8.46 x......
ijmuiden: subvers press, 1972. First edition of 500, of which this is no. 213. White 35 x 21.8 cm (13.8 x 8.6") envelope hand stamped and hand numbered in blue ink one side containing a round 20 x 20 cm (7.9 x 7.9") unbound book with twelve loose sheets printed.....
Amsterdam: Uitgeverij Bert Bakker, 1976. Square softcover 8vo in wrappers printed in black and red. With pages mainly printed in black, a few pages printed in black and red. Intermittently paginated, 134 pp. Text in Dutch. The first and only issue of this artists’ publication edited by Hans Clavin, Herman.....
Stuttgart: Verlag der Augenblick, 1961. First edition. Saddle-stapled square 8vo in wrappers printed in red and black. With pages mostly printed in black and white, one in black and red. Unpaginated [24 pp.] Text in German. Issue no. 6 in the Rot series edited by Max Bense and Elisabeth Walther.....
Stuttgart: Verlag der Augenblick, 1961. First edition. Square 8vo issued as a ten-panel vertical leporello with covers printed in red and black, and panels printed in black and white. Unpaginated [10 pp.] Text in German. Signed and inscribed by the artist. Issue no. 5 in the Rot series edited by.....
Stuttgart: Verlag der Augenblick, 1960. First edition. Square 8vo in sewn wrappers printed in red and black. With pages printed in black and white. Unpaginated [12 pp.] Text in German. Issue no. 1 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted to concrete poetry and.....
New York: Future Press, 1977. Fourth edition of 1,000. Tabloid newspaper offset printed in black and white. Unpaginated. Through a simple yet powerful combination of eloquently typeset Futura and past tense grammar, this minimalistic piece of fiction documents a one-night stand gone sideways. At times intimate, and other times comical.....
Stuttgart: Verlag der Augenblick, 1961. First edition. Square 8vo issued as a ten-panel vertical leporello with covers printed in red and black, and panels printed in black and white. Unpaginated (10 pp.) Text in German. Signed and inscribed by the artist. Issue no. 5 in the Rot series edited by.....
Stuttgart: Verlag der Augenblick, 1960. First edition. Square 8vo in sewn wrappers printed in red and black. With pages printed in black and white. Unpaginated (12 pp.) Text in German. Issue no. 1 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted to concrete poetry and.....
Stuttgart: Edition Hansjörg Mayer, 1966. First edition of 1,200. Folded 16 x 24 cm broadside, which unfolds to 64 x 48 cm, letter pressed in black on recto side only. Issue no. 13 in the ‘futura’ broadside series published by Hansjörg Mayer 1965–1968. This one featuring a series of computer.....
Hannover: Edition H, 1969. First edition of 300, with an additional 100 issued as a deluxe edition. This being the former. Saddle-stapled softcover 4to printed in black and white on recto sides only with pages featuring various die-cuts. Unpaginated (20 pp.) Text in German. Artists’ book by Jirí Kolár featuring.....