Np: Pubished by the artist, Nd. White A3 leaf Xeroxed on recto side. Signed in pencil by the artist. Concrete poetry broadside by Clemente Padín featuring two pictograms placed on top and below a word. By the Uruguayan artist, mail artist, designer, poet, and editor and publisher of the influential.....

Bochum: Galerie m, 1970. Horizontal 19 x 10 cm (7.5 x 3.9”) card printed in black on both sides on card stock. With postage stamps and handwritten address on mailing side. Text in Dutch. Invitation issued on the occasion of Herman de Vries’ ‘random objectivations’ exhibition held March 24–May 23.....

Np: subvers-press, 1970. First edition. Saddle-stapled 16mo in blank pink wrappers with pages printed in black. Unpaginated [24 pp.] Text in French. Signed by the artist. Small artists’ book by the Dutch visual and concrete poet Hans Clavin on the repeating nature of history featuring the same typescript concrete poem.....

Utrecht: AH, 1968. Two sets of 21 x 15 cm (8.27 x 5.9") sheets printed in black on rectos, each set paperclipped at top-left corner. 21 pp. respectively. To which is added two folded 21.5 x 34 cm (8.46 x 13.4") sheets and one 21.5 x 27.5 cm (8.46 x......

Amsterdam: Uitgeverij Bert Bakker, 1976. Square softcover 8vo in wrappers printed in black and red. With pages mainly printed in black, a few pages printed in black and red. Intermittently paginated, 134 pp. Text in Dutch. The first and only issue of this artists’ publication edited by Hans Clavin, Herman.....

Stuttgart: Verlag der Augenblick, 1961. First edition. Square 8vo issued as a ten-panel vertical leporello with covers printed in red and black, and panels printed in black and white. Unpaginated [10 pp.] Text in German. Signed and inscribed by the artist. Issue no. 5 in the Rot series edited by.....

New York: Future Press, 1977. Fourth edition of 1,000. Tabloid newspaper offset printed in black and white. Unpaginated. Through a simple yet powerful combination of eloquently typeset Futura and past tense grammar, this minimalistic piece of fiction documents a one-night stand gone sideways. At times intimate, and other times comical.....

Stuttgart: Verlag der Augenblick, 1960. First edition. Square 8vo in sewn wrappers printed in red and black. With pages printed in black and white. Unpaginated (12 pp.) Text in German. Issue no. 1 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted to concrete poetry and.....

Hannover: Edition H, 1969. First edition of 300, with an additional 100 issued as a deluxe edition. This being the former. Saddle-stapled softcover 4to printed in black and white on recto sides only with pages featuring various die-cuts. Unpaginated (20 pp.) Text in German. Artists’ book by Jirí Kolár featuring.....

Stuttgart: Edition Hansjörg Mayer, 1966. First edition of 1,200. Folded 16 x 24 cm broadside, which unfolds to 64 x 48 cm, letter pressed in black on recto side only. Issue no. 9 in the ‘futura’ broadside series published by Hansjörg Mayer 1965–1968. This one featuring a series of concrete.....

Stuttgart: Edition Rot, 1968. First edition. Softcover square 8vo in wrappers printed in red and black bound in a strip cloth spine. With French fold signatures printed in black and white. Unpaginated (32 pp.) Text in German. Issue no. 36 in the Rot series edited by Max Bense and Elisabeth.....

Stuttgart: Edition Rot, 1965. First edition. Softcover square 8vo in wrappers printed in red and black. With pages printed in black and white. Unpaginated (12 pp.) Text in German. Issue no. 20 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted to concrete poetry and the.....

Amsterdam: Kontexts, 1977. First edition of 1,000. Tall saddle-stapled softcover 4to printed in black and white throughout. 28 pp. Published on the occasion of the ‘text in geluid’ (‘text in sound’) festival at the Stedelijk Museum April–May, 1977. Edited by Michael Gibbs, a compilation of sound-poetry, scores, operas, auditive texts.....