Np: Np, Nd (ca. 1970). Large 84 x 118 cm (33 x 46.5") poster printed in black and white on one side only. A large-format photographically illustrated poster featuring thirty-two artworks by Kriwet including typographic multimedia installations, large-size sculptures, advertising fragments, and concrete poems. A great visual representation of the.....
Richmond, VA: Nd. First edition of 70, of which this is no. 10. 15 x 15" (38.1 x 38.1 cm) poster silk screened in matte dark gray, yellow, and dark red ink on thin cream colored stock. Signed and numbered in pencil by the artist. An original silk screened collage.....
Richmond, VA: Nd. First edition of 70, of which this is no. 10. 15 x 15" (38.1 x 38.1 cm) poster silk screened in matte dark gray and yellow ink on thin cream colored stock. Signed and numbered in pencil by the artist. An original silk screened collage featuring a......
Stuttgart: Edition Rot, 1968. Edition of 500. Square 8vo (15 x 15 cm) in printed wraps with a strip cloth spine and French fold signatures. Unpaginated. Text in German. Issue no. 35 of the Rot series largely devoted to concrete poetry and the exploration of language and letterforms. This issue.....
Stuttgart: Edition Rot, 1967. Edition of 500. Square softcover 8vo (15 x 15 cm) in printed wraps with French fold signatures. Unpaginated. Text in German. Issue no. 31 of the Rot series largely devoted to concrete poetry and the exploration of language and letterforms. This issue with texts and poems.....
Stuttgart: Edition Hansjörg Mayer, 1967. Edition of 1,200. 16 x 24 cm folded broadside which unfolds to 64 x 48 cm letter pressed in black on recto side only. Text in English. To which is added a folded eight-panel brochure and postcard. Signed in black ink on verso by the.....
Köln: Verlag Galerie Der Spiegel, 1972. Softcover 8vo in blue paper wrappers. Unpaginated (ca. 64 pp.) Text in German and English. An artists’s book of typographically illustrated quotes surrounding the importance of the written word. The quotes are by literal and cultural luminaries such as Homer, Jonathan Wolfgang von Goethe.....
Firenze / Belgrade: Edizioni di Techne “quaderno” 18, 1971. Stab-stapled square 8vo in printed wrappers with alternating light pink and yellow pages. Unpaginated (ca. 32 pp.) Text in alternating pages of Italian and English. With publisher’s original belly band. Divided up into eight chapters, this essay published in 1971, provides.....
Köln: Verlag M. DuMont Schauberg, 1970. 29.7 x 42 cm (11.7 x 16.5") poster printed in black and white on recto and verso on thin white card stock. Text in German. Signed by the artist. A signed example of a two-sided colophon promoting Kriwet’s seminal concrete poetry piece ‘Sehtexte: Rundscheiben’.....
Pollenza MC, Altro: La nuova foglio, Magma Editrice, 1971. Black card stock 4to slipcase with white silkscreen printing on both sides housing a white card stock portfolio with folded flaps containing a title page, one double-folded signature, and five tri-folded signatures all laid loose inside the cover. All signatures, including.....
Luxembourg: Abracadabra & Authors, 1977 – 1981. Softcover 8vos in saddle-stapled wraps, offset printed in black and white. Unpaginated. Text mostly in English, with some in French, Italian, and Dutch. A complete and collated run of this seminal Italian publication published in Luxembourg featuring a cross pollination of some of.....
Belgium: Imschoot, 1987. 8vo softcover in pink wrappers and pages with silver text. Unpaginated. A minimalist conceptual two-color artists’ book in which Barry explores poetic silver phrases on pink pages. The phrases are printed in various locations on each spread forcing the reader to consider three-dimensional space as part of.....
Stuttgart: Edition Hansjörg Mayer, 1973. One of a 100 limited deluxe copies, this being no. 12. 8vo softcover in plain white paper wrappers with a yellow dust jacket offset printed in black and white. Inside pages printed in black, brown, green, red, and blue. Unpaginated. Inscribed by the artist on.....
Iowa: X Press, 1978. Stab-stapled 8vo in parchment paper wrappers rubber-stamped in red and blue ink. Unpaginated. Signed by the author. A conversational and at times absurd work of visual and concrete poetry by Joyce Holland which was a pseudonym invented by the poet Dave Morice. Using only a typewriter.....
Amsterdam: In-Out Productions, 1973. First edition of 100, of which this is no. 30. Side-stapled 8vo in folded thin newsprint covers printed in black and rubberstamped in green and a strip of black book cloth affixed at spine. With French fold pages mimeographed in black also rubberstamped in green. 30.....
Paris: Agentzia Editions, 1968. Second edition. Three-panel 19 x 21 cm (7.5 x 8.27 in) folder silk screened in neon yellow and black at recto, with chip board at verso. Containing six unbound plates, three of which are printed on various colors on white card stock with additional die cuts.....
São Paulo: Massao Ohno Editôra, 1962. First edition. Softcover 8vo in glossy rose red and blue wrappers, with most pages printed in black, a few in black and red on white paper, some printed in black on yellow paper. 204 + 2 pp. Text in Portuguese. Includes one sheet tipped.....
São Paulo: Edições Invenção, 1965. First edition. Softcover 8vo in black and red wrappers, with pages printed in black. 190 + 2 pp. Text in Portuguese. In-depth theoretical and philosophical examination of the visual and concrete poetry movement’s first decade between 1950–1960 seen through the lens of these three founders.....
São Paulo: Edição Invenção, 1967. First edition. Large softcover 8vo in plum and black wrappers with pages mostly printed in black, with four pages printed in various combinations of black, red, and blue. 117 + 3 pp. Includes three tipped in items, two of which are smaller horizontal three-panel sheets.....
São Paulo: Edição Invenção, 1964. First edition. Large softcover 8vo in orange and black wrappers with pages printed in black. 146 + 2 pp. Includes a smaller tipped in horizontal four-panel sheet folded three times printed in black on recto side on white paper. Text mostly in Portuguese, some English.....
São Paulo: Edição Invenção, 1963. First edition. Large softcover 8vo in blue and black wrappers with pages printed in black. 94 + 2 pp. Text in Portuguese. Issue no. 3 of the Brazilian avant-garde publication Invenção with a focus on early visual and concrete poetry and experimental writing by artists.....
[Edinburgh]: wild hawthorn press, 1964. First edition. Folded 10 x 7.875" (20 x 7.875" unfolded) sheet printed in black on recto and verso on yellow paper. Unpaginated (4 pp.) Text in Portuguese and English. Folded broadside featuring a concrete poem of words arranged on a single line without spacing that.....
Montevideo: N.p., 1983. First edition. Saddle-stapled softcover 8vo in wrappers printed in black throughout. 27 + 1 pp. including covers. To which is added one smaller sheet printed in black on recto. Text in mostly in Spanish, some Portuguese. First issue of this Uruguayan publication on the topic of visual.....
[Venezia]: Stamperia di Venezia, 1969. Softcover 8vo in white wrappers printed in black throughout. 156 pp. Text in Italian. Catalogue issued of the occasion of this concrete and visual poetry exhibition held at the Biennale di Venezia, Italy, September 25–October 10, 1969. Curated by Dietrich Mahlow and Arrigo Lora-Totino.....
