Köln: Verlag Galerie Der Spiegel, 1972. Softcover 8vo in blue paper wrappers. Unpaginated (ca. 64 pp.) Text in German and English. An artists’s book of typographically illustrated quotes surrounding the importance of the written word. The quotes are by literal and cultural luminaries such as Homer, Jonathan Wolfgang von Goethe.....
Firenze / Belgrade: Edizioni di Techne “quaderno” 18, 1971. Stab-stapled square 8vo in printed wrappers with alternating light pink and yellow pages. Unpaginated (ca. 32 pp.) Text in alternating pages of Italian and English. With publisher’s original belly band. Divided up into eight chapters, this essay published in 1971, provides.....
Köln: Verlag M. DuMont Schauberg, 1970. 29.7 x 42 cm (11.7 x 16.5") poster printed in black and white on recto and verso on thin white card stock. Text in German. Signed by the artist. A signed example of a two-sided colophon promoting Kriwet’s seminal concrete poetry piece ‘Sehtexte: Rundscheiben’.....
Pollenza MC, Altro: La nuova foglio, Magma Editrice, 1971. Black card stock 4to slipcase with white silkscreen printing on both sides housing a white card stock portfolio with folded flaps containing a title page, one double-folded signature, and five tri-folded signatures all laid loose inside the cover. All signatures, including.....
Luxembourg: Abracadabra & Authors, 1977 – 1981. Softcover 8vos in saddle-stapled wraps, offset printed in black and white. Unpaginated. Text mostly in English, with some in French, Italian, and Dutch. A complete and collated run of this seminal Italian publication published in Luxembourg featuring a cross pollination of some of.....
Belgium: Imschoot, 1987. 8vo softcover in pink wrappers and pages with silver text. Unpaginated. A minimalist conceptual two-color artists’ book in which Barry explores poetic silver phrases on pink pages. The phrases are printed in various locations on each spread forcing the reader to consider three-dimensional space as part of.....
Stuttgart: Edition Hansjörg Mayer, 1973. One of a 100 limited deluxe copies, this being no. 12. 8vo softcover in plain white paper wrappers with a yellow dust jacket offset printed in black and white. Inside pages printed in black, brown, green, red, and blue. Unpaginated. Inscribed by the artist on.....
Paris: K Éditeur, 1948. First edition. 8vo softcover in printed red wraps. Inside printed in black and white. 144 pp. Text in all French. One of the most beautiful books ever to come out of France. Designed by Pierre Faucheux, each character in the play has been assigned an icon.....
Iowa: X Press, 1978. Stab-stapled 8vo in parchment paper wrappers rubber-stamped in red and blue ink. Unpaginated. Signed by the author. A conversational and at times absurd work of visual and concrete poetry by Joyce Holland which was a pseudonym invented by the poet Dave Morice. Using only a typewriter.....
New York: Future Press, 1977. First edition of 1,000. Small horizontal 8vo in blue softcover wraps offset printed in black and white. Unpaginated. Through a simple yet powerful combination of eloquently typeset Futura and past tense grammar, this minimalistic piece of fiction documents a one-night stand gone sideways. At times.....
Rio de Janeiro: Edições Totem, 1984. First edition. Softcover 8vo in glossy wrappers printed in burgundy and gray. Pages printed in black. Unpaginated [ca. 80 pp.] Text in Portuguese. Inscribed and signed by the artist on title page. Artists’ book by Joaquim Branco featuring a series of political concrete poems.....
Np: Pubished by the artist, Nd. White A3 leaf Xeroxed on recto side. Signed in pencil by the artist. Concrete poetry broadside by Clemente Padín featuring one word inside of another. By the Uruguayan artist, mail artist, designer, poet, and editor and publisher of the influential magazine Ovum, which featured.....
Np: Pubished by the artist, Nd. White A3 leaf Xeroxed on recto side. Signed in pencil by the artist. Concrete poetry broadside by Clemente Padín featuring a sideways pictogram placed next to an uppercase letter with a smaller word inside it. By the Uruguayan artist, mail artist, designer, poet, and.....
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Np: Pubished by the artist, Nd. White A3 leaf Xeroxed on recto side. Signed in pencil by the artist. Concrete poetry broadside by Clemente Padín featuring two pictograms placed on top and below a word. By the Uruguayan artist, mail artist, designer, poet, and editor and publisher of the influential.....
Np: Pubished by the artist, Nd. White A3 leaf Xeroxed on recto side. Signed in pencil by the artist. Concrete poetry broadside by Clemente Padín featuring an outline of a solider placed on top of a word. By the Uruguayan artist, mail artist, designer, poet, and editor and publisher of.....
Np: subvers-press, 1970. First edition. Saddle-stapled 16mo in blank pink wrappers with pages printed in black. Unpaginated [24 pp.] Text in French. Signed by the artist. Small artists’ book by the Dutch visual and concrete poet Hans Clavin on the repeating nature of history featuring the same typescript concrete poem.....
Firenze: Zona, 1979. Single sheet 32 x 21.8 cm (12.6 x 8.6") in size, printed in black on recto side only. Text in Italian. Small poster issued on the occasion of Sten Hanson’s 1979 performance at Zona in Florence titled ‘Installazione Sonora / Poesia Azione / Poesia Sonora / Proiezioni.....
Utrecht: AH, 1968. Two sets of 21 x 15 cm (8.27 x 5.9") sheets printed in black on rectos, each set paperclipped at top-left corner. 21 pp. respectively. To which is added two folded 21.5 x 34 cm (8.46 x 13.4") sheets and one 21.5 x 27.5 cm (8.46 x......
Amsterdam: Uitgeverij Bert Bakker, 1976. Square softcover 8vo in wrappers printed in black and red. With pages mainly printed in black, a few pages printed in black and red. Intermittently paginated, 134 pp. Text in Dutch. The first and only issue of this artists’ publication edited by Hans Clavin, Herman.....
Stuttgart: Verlag der Augenblick, 1961. First edition. Saddle-stapled square 8vo in wrappers printed in red and black. With pages mostly printed in black and white, one in black and red. Unpaginated [24 pp.] Text in German. Issue no. 6 in the Rot series edited by Max Bense and Elisabeth Walther.....
Stuttgart: Verlag der Augenblick, 1961. First edition. Square 8vo issued as a ten-panel vertical leporello with covers printed in red and black, and panels printed in black and white. Unpaginated [10 pp.] Text in German. Signed and inscribed by the artist. Issue no. 5 in the Rot series edited by.....
Stuttgart: Verlag der Augenblick, 1960. First edition. Square 8vo in sewn wrappers printed in red and black. With pages printed in black and white. Unpaginated [12 pp.] Text in German. Issue no. 1 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted to concrete poetry and.....
Stuttgart: Verlag der Augenblick, 1961. First edition. Saddle-stapled square 8vo in wrappers printed in red and black. With pages mostly printed in black and white, one in black and red. Unpaginated (24 pp.) Text in German. Issue no. 6 in the Rot series edited by Max Bense and Elisabeth Walther.....
Stuttgart: Verlag der Augenblick, 1961. First edition. Square 8vo issued as a ten-panel vertical leporello with covers printed in red and black, and panels printed in black and white. Unpaginated (10 pp.) Text in German. Signed and inscribed by the artist. Issue no. 5 in the Rot series edited by.....
Stuttgart: Verlag der Augenblick, 1960. First edition. Square 8vo in sewn wrappers printed in red and black. With pages printed in black and white. Unpaginated (12 pp.) Text in German. Issue no. 1 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted to concrete poetry and.....