Ephemera
Out of stock
EAT 300 FEET
Highlands, NC: Jargon Society, 1979. Postcard offset printed in red on recto, and black on verso. Very good with trace amounts of rubbing and age toning. An artists’ postcard by Jonathan Williams designed by Alvin Doyle Moore featuring a hand-drawn rendition of a barbecue sign. Published as ‘Jargon Society Postcard.....
it looks like (s)now
Highlands, NC: Jargon Society, 1979. Postcard silk screened in white ink on recto, and offset printed in black on verso. Very good with trace amounts of rubbing, small stain at top middle, and age toning. An artists’ postcard by Jonathan Williams designed by Alvin Doyle Moore featuring a four-word concrete.....
In the beginning
Paris: Fete de la Lettre, Nd. Postcard printed in black on recto and verso. Very good with trace amounts of rubbing and age toning along margins. An artists’ postcard by John Furnival featuring a concrete poem consisting of a biblical verse from John 1:1 within the shape of a phallus.....
L’Amour-Nowel
Np: Openings Press, 1972. Postcard silk screened in red on recto side only. Trace amounts of age toning, else fine. An artists’ postcard by Dom Sylvester Houédard (dsh) featuring a red hand-drawn concrete poem. Published by John Furnival at his imprint Openings Press.
wall street awaits
utrecht: exp/press, Nd. Postcard printed in black on recto, and black and red on verso. Trace amounts of rubbing, else fine. An artists’ postcard by Hans Clavin featuring a three-word poem. Published as ‘exp/press news card 2’ by Dutch concrete poet and artist G. J. de Rook at his imprint.....
str[i/u]cture
utrecht: exp/press, Nd. Postcard printed in black on recto, and black and red on verso side. With black rubber stamp and postage stamp added to verso. Trace amounts of rubbing, else fine. An artists’ postcard by Michael Gibbs featuring a one-word concrete poem. Published as ‘exp/press card 7’ by Dutch.....
the poem begins HERE
Tvedhuse, THANEHUSE, Denmark: Vagn Steen, 1969. Postcard printed in black on orange card stock on recto side only. Trace amounts of rubbing, else fine. An artists’ postcard by Vagn Steen featuring a concrete poem. Published by the artist.
Still Life with Lemon (Detail) / Nature Morte au Citron (Détail) / Stillleben mit Zitrone (Einzelheit)
Np: Wild Hawthorn Press, 1970. Postcard printed in black and blue on recto, and black on verso. Very good with bumps to corners, small crease along upper right margin, and age toning. An artists’ postcard by Ian Hamilton Finlay annotating names of colors on top of a photograph of a......
OVUM 2da. época, No. 6: El Silencio Es Salud
Montevideo, Uruguay: OVUM, 1976. Side-stapled 4to with pages of various sizes and colors, mostly printed in black and white, some with rubber stamps and handwriting, including an original painting on paper. Unpaginated (13 pp. plus cover). Text in Spanish, some in English. Very good with handling creases and bumps to.....
edition et no. 2
Berlin: Verlag Christian Grützmacher, 1966. Folded cardboard slipcase with fifty loose plates, 23 x 23 cm (9 x 9") in size, some of which are two- or three-panels and offset printed in color and black and white on card stock. Text in German and English. Plates very good with age.....
L/2: un poema/processo de josé nêumanne pinto. a process/poem by josé nêumanne pinto.
são paulo: poema/processo, Nd. Small brown paper envelope letter pressed in black on recto side only. Very good with trace amounts of rubbing and handling creases. Parallel text in Portuguese and English. An empty envelope with printed instructions for the recipient to create their own poema/processo piece. Our research indicates.....
projeto—3: poemas/processo de anchieta fernandes / dailor varela / jalves da silva (falves da silva) / nei leandro
Np: poema/processo, (ca. 1970). Letter pressed brown paper envelope containing eight sheets all of the same height, but with varying widths printed in black on recto side only. Envelope very good with rubbing and handling creases. Sheets with trace amounts of handling creases, light age toning on account of the.....
projeto 5: porno-gráfico poema/processo. porno-graph(ic) process/poem.
Np: poema/processo, (ca. 1969). Letter pressed brown paper envelope containing four sheets printed in black on recto side only. Envelope very good with rubbing, handling creases, and bumps to corners. Sheets with trace amounts of handling creases, light age toning on account of the envelope, and darkening along extremities, else.....
Iconogramma
Np: Np, 1967. Single sheet 16.3 x 22.8 cm (6.4 x 8.98") in size printed in black and blue ink on recto side only. Age toning to sheet and trace amounts of handling creases, else near fine. Titled, signed, and dated by the artist in black ink on verso side.....
Single paper sculpture from Diagonal Cero Nº. 23
La Plata: Diagonal Cero, 1967. Two die cut sheets 17.5 x 22.8 cm (6.9 x 9") in size when folded, the larger printed in orange, red, and black on cream stock, and the smaller printed in black on yellow stock. Trace amounts of age toning and handling creases, else near.....
Nuevas Tendencias: poesía, música, cine
Madrid: Institutos Alemanes en España, 1967. Single sheet of card stock folded once to make 4 pp. 8vo pamphlet. Text in Spanish. Very good with trace amounts of toning and rubbing to outside covers, including two faint stains at lower half. Program for the experimental poetry exhibition titled ‘letras texto.....
poesia n.o. / situacion cinco
Madrid: grupo n.o. / galeria de arte eurocasa, 1970. Five postcards 10.5 x 15 cm (4.13 x 5.9") in size, four of which are printed in color and black and white on recto and verso on white glossy card stock, and one of which is printed in black on purple.....
d’atelier nº 17: ils o ne pioss–
Paris: d’atelier, 1977. Folded three-panel 8vo portfolio printed in purple on heavy stock, containing six folded sheets, which unfold to 54 x 42 cm (21.25 X 16.5"), printed in black and white on recto side only. Text in French. An expansive work of concrete poetry by Bruno Montels featuring six.....
Lot of six concrete poetry items
Np: Np, Nd. Small saddle-stapled 16mo in green wrappers printed in black and white throughout. Unpaginated (12 pp.) To which is added two folded cards printed in black and white, one sheet printed on one side on pink paper, one card laid inside printed envelope, and one 8.375 x 10".....
VORSICHT Kunstblätter! Nicht knicken!
Hannover: Timm Ulrichs, 1967. Side-stapled 4to in red paper wrappers printed in black, with mimeographed leaves. Unpaginated. With several tipped in items including a card inside an envelope, pasted in labels, and a separate small poster laid in. Text in German. An artists’ book of writing, concrete poetry, and tipped.....
‘HEY YOU, COUNTRY WITHOUT A NAME:’
Np: Np, 1973. Single A4 hole punched sheet printed in red ink on recto side only and rubber-stamped in black in top left corner. A political protest poem by the prolific Mexican artist and neologist. Very good with a single strong horizontal fold line down middle of sheet and diagonal.....
poema vermelho e branco
Portugal: Np, 1971. Printed envelope 18 x 19 cm (7.1 x 7.5") in size with a round die cut 7 cm (2.75") window containing three folded sheets of paper that are red on one side and white on the other. Text in Portuguese. A visual poem by the Portuguese avant-garde.....
poema azul e branco
Portugal: Np, 1970. Printed envelope 18 x 19 cm (7.1 x 7.5") in size with a round die cut 7 cm (2.75") window containing two folded sheets of paper that are blue on one side and white on the other. Text in Portuguese. A visual poem by the Portuguese avant-garde.....