Madrid: Institutos Alemanes en España, 1967. Small square 4to in softcover wraps with a strip cloth spine and French fold signatures printed in black and white. Unpaginated (24 pp.) Text in Spanish, some in German and English. Catalog for a 1967 concrete poetry exhibition in Spain featuring a selection.....
Amsterdam: In-Out Productions, 1973. First edition of 100, of which this is no. 30. Side-stapled 8vo in folded thin newsprint covers printed in black and rubberstamped in green and a strip of black book cloth affixed at spine. With French fold pages mimeographed in black also rubberstamped in green. 30.....
Paris: Agentzia Editions, 1968. Second edition. Three-panel 19 x 21 cm (7.5 x 8.27 in) folder silk screened in neon yellow and black at recto, with chip board at verso. Containing six unbound plates, three of which are printed on various colors on white card stock with additional die cuts.....
La Plata: Diagonal Cero, 1970. Large 8vo two-piece slipcase consisting of two folded black and white sheets with a small circular die cut at lower middle of white sheet. Containing sixteen unbound plates printed on recto and verso, and one folded plate printed on inside for a total of seventeen.....
Brighton: Brighton Festival Exhibition of Concrete Poetry, 1967. First edition of 100. Folded 25.5 x 25 cm (10 x 9.8 in) four-panel paper sculpture silk screened in black and blue on one side, and green on other side on thick card stock. Text in Portuguese and English. A collapsible concrete.....
São Paulo: Massao Ohno Editôra, 1962. First edition. Softcover 8vo in glossy rose red and blue wrappers, with most pages printed in black, a few in black and red on white paper, some printed in black on yellow paper. 204 + 2 pp. Text in Portuguese. Includes one sheet tipped.....
São Paulo: Edições Invenção, 1965. First edition. Softcover 8vo in black and red wrappers, with pages printed in black. 190 + 2 pp. Text in Portuguese. In-depth theoretical and philosophical examination of the visual and concrete poetry movement’s first decade between 1950–1960 seen through the lens of these three founders.....
São Paulo: Edição Invenção, 1967. First edition. Large softcover 8vo in plum and black wrappers with pages mostly printed in black, with four pages printed in various combinations of black, red, and blue. 117 + 3 pp. Includes three tipped in items, two of which are smaller horizontal three-panel sheets.....
São Paulo: Edição Invenção, 1964. First edition. Large softcover 8vo in orange and black wrappers with pages printed in black. 146 + 2 pp. Includes a smaller tipped in horizontal four-panel sheet folded three times printed in black on recto side on white paper. Text mostly in Portuguese, some English.....
São Paulo: Edição Invenção, 1963. First edition. Large softcover 8vo in blue and black wrappers with pages printed in black. 94 + 2 pp. Text in Portuguese. Issue no. 3 of the Brazilian avant-garde publication Invenção with a focus on early visual and concrete poetry and experimental writing by artists.....
[Edinburgh]: wild hawthorn press, 1964. First edition. Folded 10 x 7.875" (20 x 7.875" unfolded) sheet printed in black on recto and verso on yellow paper. Unpaginated (4 pp.) Text in Portuguese and English. Folded broadside featuring a concrete poem of words arranged on a single line without spacing that.....
Montevideo: N.p., 1983. First edition. Saddle-stapled softcover 8vo in wrappers printed in black throughout. 27 + 1 pp. including covers. To which is added one smaller sheet printed in black on recto. Text in mostly in Spanish, some Portuguese. First issue of this Uruguayan publication on the topic of visual.....
Kersey: Stereo Headphones, 1976. First edition of 500 numbered examples, of which this example is unnumbered. Large softcover 8vo in wrappers printed in red and black, with pages printed in black and white. 52 pp. Issue no. 7 of Nicholas Zurbrugg’s magazine, of which there were 10 published. Billed as.....
[Venezia]: Stamperia di Venezia, 1969. Softcover 8vo in letter press printed black and white wrappers, with pages printed in black and white. 156 pp. Text in Italian. Very good with partial sunning to covers, including a faint spot at front, bumps to corners, and trace amounts of age toning throughout.....
Hannover: Published by the artist, 1971. First edition of 150, of which this is no. 57. Leporello artists’ book dot matrix printed on 37.5 x 30 cm (14.75 x 12 in) perforated tractor feed computer paper, with the first page bound to thick white card stock covers silk screened in.....
Münster: Kunst-Räume / Landesmusem Münster, 1975. First edition. Square saddle-stapled softcover small 4to printed in black throughout. Unpaginated (16 pp). Text in German. Catalogue issued on the occasion of Timm Ulrichs’ 1975 exhibition at Kunst-Räume / Landesmusem Münster. Illustrated with photographs of works created between the early 1960s and mid-1970s.....
Budapest: Artpool, 1980. First edition of 300. 4to two-panel stiff brown card stock folder silk screened in dark brown with additional rubber stamps in black at back cover. Contents include fifty-three unbound sheets, most of which are A4 in size, printed on various paper types in various methods, including Xerox.....
Zagreb: Galerije grada Zagreba, 1969. First edition. Softcover 4to in pictorial wrappers printed in pink and black, with pages printed in black on matte and glossy stock, including two sheets on transparent vellum. 145 + 3 pp. Parallel text in Serbo-Croatian and alternating English, French, and German. Issue no. 5–6 of.....
Np (amsterdam): in-out productions, 1974. First edition. 32mo in white card stock wrappers bound with a clear plastic clip with title handwritten in black ink at front cover. Pages Xeroxed in black, with one additional page at middle appropriated from a pocketbook calendar that has been rubber stamped five times.....
arnhem: k.a.a. akademie voor beeldende kunsten, 1980. First edition of 250. Softcover 8vo in magenta pictorial wrappers with Xeroxed pages. 106 pp. Text mostly in Dutch, some English. Anthology in the form of a photocopied artists’ book published on the occasion of ‘projekt Visuele Poëzie’ held at the Akademie voor.....
AMSTERDAM: KUNSTHISTORISCH INSTITUUT, 1975. First edition. Saddle-stapled 4to in self-wrappers printed in black on thick paper, with two additional smaller blank sheets folded and stapled into the spine overlapping the full-size cover. 16 pp. + 4 pp. Text in Dutch and English. Catalogue in the form of an artists’ book.....
amsterdam: subvers-press, 1971. Third edition of 300. Saddle-stapled 16mo in blank tan wrappers, with pages printed in black. Unpaginated [20 pp.] Text in French and Dutch. Artists’ book by the Dutch visual and concrete poet Hans Clavin on the repeating nature of history featuring the same typescript concrete poem printed.....
Amsterdam: C. J. Aarts, 1973. Fourth edition of 125, of which this is no. 709. Saddle-stapled 8vo in blue gray wrappers printed in black, with pages printed in black. Unpaginated [24 pp.] Text in French and Dutch. Artists’ book by the Dutch visual and concrete poet Hans Clavin on the.....
Utrecht: 1975. 59.4 x 42 cm (23.4 x 16") sheet machine folded three times and printed in black on recto and verso. Text in Dutch. Catalogue in the form of a folded poster issued on the occasion of the concrete poetry exhibition ‘internationale visuele poëzie’ held in Utrecht July 11–August.....
rooksmoor house, woodchester, glos. openings press, 1966. First edition. Single sheet 20.3 x 26 cm (8 x 10.25") in size printed in blue and gray on card stock on recto side. The fifth issue in the Plakat broadside series from Openings Press in Woodchester Gloucestershire, founded by John Furnival and.....