Utrecht: AH, 1968. Two sets of 21 x 15 cm (8.27 x 5.9") sheets printed in black on rectos, each set paperclipped at top-left corner. 21 pp. respectively. To which is added two folded 21.5 x 34 cm (8.46 x 13.4") sheets and one 21.5 x 27.5 cm (8.46 x......
Amsterdam: Uitgeverij Bert Bakker, 1976. Square softcover 8vo in wrappers printed in black and red. With pages mainly printed in black, a few pages printed in black and red. Intermittently paginated, 134 pp. Text in Dutch. The first and only issue of this artists’ publication edited by Hans Clavin, Herman.....
Stuttgart: Verlag der Augenblick, 1961. First edition. Saddle-stapled square 8vo in wrappers printed in red and black. With pages mostly printed in black and white, one in black and red. Unpaginated (24 pp.) Text in German. Issue no. 6 in the Rot series edited by Max Bense and Elisabeth Walther.....
Stuttgart: Verlag der Augenblick, 1961. First edition. Square 8vo issued as a ten-panel vertical leporello with covers printed in red and black, and panels printed in black and white. Unpaginated (10 pp.) Text in German. Signed and inscribed by the artist. Issue no. 5 in the Rot series edited by.....
Stuttgart: Verlag der Augenblick, 1960. First edition. Square 8vo in sewn wrappers printed in red and black. With pages printed in black and white. Unpaginated (12 pp.) Text in German. Issue no. 1 in the Rot series edited by Max Bense and Elisabeth Walther largely devoted to concrete poetry and.....
South Harpswell, Maine: The Dog Ear Press, 1984. First edition. Softcover 4to in pictorial wrappers. Printed in black and white throughout. Unpaginated. (Ca. 400 pp.) Bern Porter’s artists’ book featuring a comprehensive collection of found visual and concrete poems consisting of appropriated advertisements, scientific charts, product diagrams, articles, images, and.....
Hull Cove, Maine: The Dog Ear Press, 1982. First edition. Softcover 4to in printed white wrappers with red endpapers. Housed in a glossy pictorial dust jacket. Printed in black and white throughout. Unpaginated. (Ca. 400 pp.) Bern Porter’s artists’ book featuring a comprehensive collection of found visual and concrete poems.....
Stuttgart: Edition Hansjörg Mayer, 1966. First edition of 1,200. Folded 16 x 24 cm broadside, which unfolds to 64 x 48 cm, letter pressed in black on recto side only. Issue no. 13 in the ‘futura’ broadside series published by Hansjörg Mayer 1965–1968. This one featuring a series of computer.....
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ijmuiden: the subvers press, 1970. First edition of 500 of which this is no. 403 hand-numbered in blue ink at rear cover. Softcover 8vo in illustrated wrappers, with pages printed in black and white. Unpaginated (56 pp.) Text in Dutch, Portuguese, English, Italian, French, and Serbian. The first issue of.....
New York: Something Else Press, 1967. First edition. Softcover 8vo in illustrated wrappers with pages printed in black on verso sides only. Unpaginated. One of Williams’ more iconic and intimate artists’ books exploring the possibilities and limitations of the word ‘sweethearts’ using an eleven-by-eleven grid (the number of letters in.....
Bloomington: Indiana University Press, 1971. Third printing. Softcover 4to in illustrated wrappers with pages printed in black and white, several plates in color, and one tipped in foldout. 312 pp. A comprehensive and globally focused survey of concrete poetry, edited by Mary Ellen Solt, with contributions by Augusto and Haroldo.....
Buenos Aires: Centro de Arte y Comunicación (CAyC), 1971. First edition. 21 x 29.7 cm (8.3 x 11.7") single sheet printed in black and white on recto and verso on thin paper. Text in Spanish. Printed letter by Mirtha Dermisache featuring her asemic writing consisting of illegible words which allow.....
Buenos Aires: Centro de Arte y Comunicación (CAyC), 1975. First edition. 21.7 x 27 cm (8.5 x 10.6") sheet die cut at opposing corners printed in black on recto side only on yellow paper. Text in Spanish. Flyer for Mirtha Dermisache’s 1975 exhibition at CAyC, organized by Jorge Glusberg, featuring.....
La Plata: Np, 1958. 40 x 29.9 cm (15.7 x 11.8") sheet letter pressed in black and red on cream colored paper. Text in Spanish. Broadside by Edgardo Antonio Vigo featuring a mechanical illustration, various sized circles, letterforms, and a red and black motif titled ‘Relativuzgir’s,’ which has appeared in.....
Frauenfeld Schweiz: Verlag Herausgeber Eugen Gomringer Press, (1960–1964). First edition. Ten saddle-stapled softcover 8vos of the same size in publisher’s wrappers printed in red and black on red paper. With pages printed in black and white. Unpaginated with varying page counts. Text in mostly in German, some Italian. Ten out.....
Prague: Ceskoslovensky Spisovatel, 1968. First edition. Square softcover 8vo in plain black wrappers laid inside a slightly oversized dust jacket printed in gray, black, and green. 135 pp. Text mostly in Czech, some German and English. Artists’ book by the Czech couple Josef Hirsal and Bohumila Grögerová featuring a collection.....
Prague: Odeon, 1967. Square hardcover 8vo in white cloth foil stamped in black and green at front cover and spine. With pages printed in black and green, including a foldout panel affixed to rear endpaper. Housed in dust jacket printed in black and green. 265 pp. Text mostly in Czech.....
Brno: Np, 1969. Three twice-folded A4 sheets typewritten on recto sides only on cream paper with additional handwriting in orange marker. A fourth twice-folded A4 sheet with handwriting in gray marker on both recto and verso on white thin card stock. To which is added two 19.8 x 8.5 cm.....
(Copenhagen): Np, (1965). First edition of 100. Saddle-stapled softcover 4to in tan wrappers printed in black and white on recto sides only with pages featuring various die-cuts. Unpaginated (12 pp.) Text in German. Artists’ book by Jirí Kolár featuring typescript concrete poems consisting of the lowercase letter ‘r’ on die-cut.....
Uelzen: Verlagshaus Bong & Co., 1969. First edition of 200 signed and numbered examples, of which this is no. 137, out of a total edition of 300. 4to folder wrapped in linen containing thirteen plates printed in black and white on recto sides only on card board featuring various die-cuts.....
Kassel: Edition & Verlag Boczkowski, 1969–1971. First edition. Eight saddle-stapled 8vos of the same size in various colored covers. Five of which are printed in black and white, and three in color. Varying page counts. Text mostly in German, some English. A complete set of eight artists’ books published by.....
London: Institute of Contemporary Arts (ICA), 1965. First edition. 41.8 x 59.4 cm (16.5 x 23.4") poster silk screened in black and red on white paper. Poster designed by James Meller issued on the occasion of this 1965 exhibition curated by Jasia Reichardt examining the impact of poetry as it.....
London: Institute of Contemporary Arts (ICA), 1965. First edition. Plastic spiral bound square 8vo in wrappers printed in red and black. With pages printed in black and white. 84 pp. Catalogue issued on the occasion of this 1965 exhibition examining the impact of poetry as it relates to art held.....
Stuttgart: Edition Hansjörg Mayer, 1967. First edition of 200, of which this is no. 143. Large square spiral bound 4to in orange Day-Glo wrapped boards printed in black. With French-fold signatures letter pressed in black. Unpaginated (40 pp.) Text in German. Signed by the artist. Artists’ book by Franz Mon.....
Stuttgart: Edition Hansjörg Mayer, 1967. First edition of 200, of which this is no. 160. Large square spiral bound 4to in pink Day-Glo wrapped boards printed in black. With French-fold signatures letter pressed in pink and blue. Unpaginated (38 pp.) Text in German. Artists’ book by Reinhard Döhl featuring a......