Np: Np, Nd. First edition of 25, of which this is no. 1. Postcard rubber stamped in black on recto and blue on verso. Signed and numbered by the artist. Signed artists’ postcard by Michael Gibbs featuring a two-word poem. Published as ‘V.E.C Postcard Nr. 3.’ Trace amounts of rubbing.....
(Toronto): (Ganglia Press), 1969. Softcover. First edition. Side-stapled horizontal 16mo with pages printed in black and white on recto sides only on blue paper. Unpaginated (16 pp.) Artists’ book by Jirí Valoch featuring a poem written for d. a. levy. Trace amounts of age toning and bumps to corners, else.....
Np: Eric Andersen, Nd. Two 5.5 x 3.75" postcards offset printed in black and white on recto side only on card stock which is white on one side and gray on the other. Two artists’ postcards by Eric Andersen featuring an extended lowercase ‘n’ and a ‘t’ next to traditional.....
Np: Np, 1977. Softcover. First edition. Unbound large 8vo consisting of two folded sheets printed in black and white on recto and verso. Unpaginated (8 pp.) To which is added two folded exhibition posters of the same size printed in red and blue on brown kraft paper, and one folded.....
Np: Np, 1969. Folded 22.5 x 23.5 cm three-panel brochure printed in black and white on recto and verso on thick card stock. 6 pp. Text in German. Exhibition catalogue issued on the occasion of this 1969 concrete poetry exhibition held at Gesellschaft für moderne Kunst. With contributions by Carlo.....
Amsterdam: Stedelijk Museum (SM), 1971. Softcover. First edition. Softcover 4to in plain white wrappers laid inside dust jacket printed in black and blue, with pages printed in black and white, and chapter dividers printed in blue. 230 pp. Text in Dutch, English, and German. Catalogue for a traveling exhibition of.....
Innsbruck: Allerheiligenpresse, 1968. First edition of 300, of which this is no. 137. 22.5 x 22.5 cm. One folded and one single offset printed sheet, alongside 17 loose plates silk screened in black on verso laid into a black three-panel folder silk screen in black. Text in German. Exhibition catalogue.....
Paris: Agentzia, 1969. Softcover. First edition. Softcover 8vo in letterpress printed wrappers with card stock pages printed in black and white. Inscribed and signed by the artist on front endpaper. Unpaginated. Text mostly in French, some German. Artists’ book featuring Manfred Mohr’s graphic artwork based on mathematical equations and computer.....
Hamburg: Rowohlt Verlag, 1969. First edition. Large hardcover 8vo in black linen boards with title foil stamped in white along spine. Laid inside laminated dust jacket printed in black and white. 308 pp. Text mostly in Swiss German, with some in Spanish, French, and English. A voluminous yet minimal artists’.....
Paris: Agentzia, 1969. Softcover. First edition. Softcover 8vo in letterpress printed wrappers with card stock pages printed in black and white. Unpaginated. Text mostly in French, some German. Artists’ book featuring Manfred Mohr’s graphic artwork based on mathematical equations and computer generated algorithmic geometry. Includes an introduction by Algerian computer.....
Bloomington: Indiana University Press, 1971. Hardcover 4to in gray cloth boards foil stamped in white on spine and front cover. With most pages printed in black and white, some plates in color, and one tipped in foldout. Lacking dust jacket. With previous owner's Ex Libris plate affixed to front endpaper.....
Den Haag: Haags Gemeentemuseum, 1968. First edition. Four-panel 8vo accordion-fold catalogue printed in black and white on recto and verso on coated white stock. To which is added a single sheet blind debossed on recto side only on uncoated card stock. Text in Dutch. Accordion-fold catalogue issued on the occasion.....
Nijmegen: Exp/Press, 1971. First edition. 8vo softcover in printed blue paper wrappers, with most pages printed in black and white, a few in black and red, and one page featuring an affixed small silver square. Unpaginated (ca. 64 pp.) Text in Dutch. To which is added a single Xeroxed A4.....
Bloomington, Indiana: Thomas Ockerse, 1970. First edition of 500, of which this is no. 319. White cardboard box 8.875 x 11.3125 x 0.75" in size with affixed label in three colors containing an unbound eight-page pamphlet printed in black and white, and fifty-four 8.5 x 11" plates printed in color.....
Stuttgart: Edition Rot, 1966. First edition of 500. Square 8vo in red and black wrappers with pages printed in black and white. Unpaginated (ca. 20 pp.) Text in German. Issue no. 25 of the Rot series, edited by Max Bense and Elisabeth Walther, largely devoted to concrete poetry and the.....
Stuttgart: Edition Rot, 1969. First edition of 500. Square 8vo in red and black wrappers with pages printed in black and white. Unpaginated (ca. 36 pp.) Text in German. Issue no. 39 of the Rot series, edited by Max Bense and Elisabeth Walther, largely devoted to concrete poetry and the.....
Providence, RI: Joglars, 1966. Side-stapled 4to in white wrappers printed in black and white throughout. Unpaginated. Last and final issue no. 3 of Clark Coolidge’s magazine ‘Joglars.’ Featuring a gathering of typescript poetry, essays, writings, and visual and concrete poetry by various artists, including John Perrault, Aram Saroyan, Bernadette Mayer.....
Bremen: Neues Museum Weserburg, 2001. First edition. Large softcover 4to in stiff gray card stock wrappers printed in red, with pages printed in black and white. Housed in a dust jacket printed in black and red. 255 pp. A catalogue in the form of an artists’ book based on Schraenen’s.....
’s-Hertogenbosch: Museum Het Kruithuis, 1978. Two saddle-stapled 8vos approximately the same size in wraps with printed in black and white throughout. Vol. 1 paginated 1 – 32, and vol. 2 paginated 33 – 64. To which is added two stapled and folded set of letter-sized sheets printed in black and.....
Düsseldorf: Galerie Niepel, 1967. Saddle-stapled 4to in printed wraps, with pages printed in black and white, some in color. Unpaginated (28 pp.) Text in German. Catalog issued on the occasion of Kriwet’s 1967 exhibition at Galerie Niepel, featuring poem-paintings, buttons, signs, and flags created 1966–1967, including the Rundscheibe series. Designed.....
Stuttgart: Edition Rot, 1965. Perfect bound square 8vo in wraps printed in red and black, with pages printed in black and white. Unpaginated (ca. 48 pp.) Text in German. Inscribed and signed on inside left cover by one of the two editors. Issue no. 21 of the Rot series, edited.....
Np: Np, 1975. First edition of 50, of which this is no. 21 and no. 25. Two 209 x 300 mm (8.23 x 11.8”) sheets lithograph printed in black and pale orange, and black and red on off-white card stock on recto side only. Both dated, signed, and numbered in.....
Woodchester Gloucestershire, England: Openings Press, Rooksmoor House, 1969. 14 x 18.9 cm (5.5 x 7.4") card printed in black and orange on recto and black on verso on card stock. Small broadside in the form of an artists’ card by Jirí Valoch, featuring a concrete poem dedicated to Henri Chopin.....
Bloomington: Indiana University Press, 1970. Perfect bound softcover 4to in illustrated wraps with pages printed in black and white, some plates in color, and one tipped in foldout. 312 pp. A comprehensive and globally focused survey of concrete poetry, edited by Mary Ellen Solt, with contributions by Augusto and Haroldo.....
Woodchester Gloucestershire, England: Openings Press, Rooksmoor House, 1972. 14 x 18.9 cm (5.5 x 7.4") card printed in black ink on recto and verso, with a small vertical rectangular die cut at lower middle of card. Small broadside in the form of an artists’ card by John Furnival, featuring a......