Concrete poetry

London: Gallery Number Ten, n.d. No binding. First edition. Two-panel cream-colored card stock folder measuring 20.5 × 13 cm (8.1 × 5.1 in.), printed in neon orange and black, housing 32 unbound leaves printed in black at rectos on cream-colored uncoated stock. Text in French and English. Early unbound artists’.....

Np: Np, Nd. Single sheet measuring 20.4 x 28.7 cm (8 x 11.3 in.), printed in black on recto on white card stock. Signed by the artist in black in at upper right of verso. Broadside by Bob Cobbing featuring a concrete poem consisting of twelve squares of the.....

Madrid: Institutos Alemanes en España, 1967. Small square 4to in softcover wraps bound with a strip cloth spine, with French-fold signatures printed in black and white. Unpaginated [24 pp.]. Text mostly in Spanish, some German and English. Catalog for a 1967 concrete poetry exhibition in Spain featuring a selection.....

Berlin: Platz der Akademie, 1989. No binding. Folded poster measuring 40.5 x 57.5 cm (15.9 x 22.6"), printed in black and sage green on uncoated cream-colored stock. Text in German. Artists’ poster by Guillermo Deisler, issued for his mail art project ‘Federn der ganzen Welt für meinen Flug’ (‘Feathers.....

Zagreb: Galerije grada Zagreba, 1969. Softcover 4to in glossy card stock wrappers printed in pink and black. Pages printed in black on matte and glossy stock, including one sheet on transparent vellum. 70 + 4 pp. Parallel text in Serbo-Croatian and English. A ‘separat offprint’ edition that originally appeared.....

N.p. N.p., [1974]. Horizontal softcover 32mo in blank brown corrugated wrappers with a purple front endpaper and a brown kraft rear endpaper. Pages rubber-stamped at rectos in blue, black, red, or green on cream-colored stock. Unpaginated [26 pp.]. Initialed and dated by the artist in black ink at front endpaper.....

Budapest: MLB Reklámszolgálat/Petöfi Irodalmi Múzeum, 1987. Saddle-stapled 4to in white wrappers printed in black. Pages printed in black. 46 pp. Text in Hungarian. Catalog issued on the occasion of the 1987 Hungarian visual and concrete poetry exhibition ‘kép-vers/vers-kép’ (‘picture-poem/poem-picture’), held at Pet fi Irodalmi Múzeum in Budapest. Curated by József.....

Novi Sad: KOV, 1988. First edition of 500. Softcover 8vo in glossy white wrappers printed in black and red. Pages printed in black, except for title page printed in black and red, and one page rubber-stamped in magenta. Parallel text in Serbo-Croatian and English. 76 pp. Inscribed, signed, and dated.....

Ústí nad Labem: Kulturni správa ONV, Dúm kultury pracujicich, 1967. Saddle-stapled horizontal 8vo in pictorial wrappers printed in black throughout on high-acidity newsprint. 22 pp. Text in Czech. Signed in green marker by the artists at second page. Monthly Czech cultural program from April 1967, showcasing a selection of.....

Hannover: Edition H, 1969. First edition of 300, with an additional 100 issued as a deluxe edition. This being the former. Saddle-stapled softcover 4to printed in black and white on recto sides only with pages featuring various die-cuts. Unpaginated [20 pp.]. Text in German. Artists’ book by Jirí Kolár.....

N.p. grOnk, 1978. No binding. First edition of 200. Eight unbound A4 leaves printed in black on recto and verso, a few only on rectos. Housed inside a translucent blue plastic folder. Unbound artists’ book by Bob Cobbing featuring visual and concrete poetry. A handsome publication by the British sound.....

Münich: Goethe-Institut, 1974. Large softcover 8vo in tan wrappers printed in black with pages printed in black on white paper stock and two divider pages printed in black on yellow card stock. 64 pp. Parallel text in Spanish and German. In-depth literary exhibition catalogue on German concrete poets edited by.....

Middletown, CT: Wesleyan University Press, 1983. First edition. Hardcover bound in gray cloth with title foil-stamped in silver along spine, red endpapers, and pages printed in black. Housed in a glossy dust jacket printed in red and black. 187 + 3 pp. Comprehensive anthology of experimental and traditional poetry from.....